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	<title>Transmedia</title>
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	<link>http://transmedians.be/projects_new</link>
	<description>Postgraduate Program in Arts + Media + Design</description>
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		<item>
		<title>“VIER, die auszogen” &#8211; exhibition</title>
		<link>http://transmedians.be/projects_new/blog/2012/%e2%80%9cvier-die-auszogen%e2%80%9d-exhibition</link>
		<comments>http://transmedians.be/projects_new/blog/2012/%e2%80%9cvier-die-auszogen%e2%80%9d-exhibition#comments</comments>
		<pubDate>Thu, 16 Feb 2012 09:52:47 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Alumni]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[exhibitions]]></category>
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		<guid isPermaLink="false">http://transmedians.be/projects_new/?p=2355</guid>
		<description><![CDATA[Hallveig Agustsdottir Wouter Huis Joris Perdieus Stéfan Piat Christiane Wittig has curated four former students, who she has worked as a lecturer of Transmedia Postgraduate Program in arts, media + design at the Sint-Lukas Brussels University College of Arts and [...]]]></description>
			<content:encoded><![CDATA[<h2>Hallveig Agustsdottir<br />
Wouter Huis<br />
Joris Perdieus<br />
Stéfan Piat</h2>
<p><strong>Christiane Wittig</strong> has curated four former students, who she has worked as a lecturer of Transmedia Postgraduate Program in arts, media + design at the Sint-Lukas Brussels University College of Arts and Design.</p>
<p>&nbsp;</p>
<p>OPENING<br />
<strong>Saturday 24 March 2012</strong> — 20:00</p>
<p>WHEN<br />
<strong>Tuesday 27 March till Friday 20 April 2012</strong> — 17:00 till 21:00</p>
<p>WHERE<br />
<strong>Weltecho</strong> — <a href="http://www.weltecho.eu/" target="_blank">www.weltecho.eu</a><br />
Annaberger Straße 24 — 09111 Chemnitz<br />
Germany</p>
<p>MORE INFO<br />
<strong>Hallveig Augustdottir:</strong> <a href="http://www.hallveiggkagustsdottir.com/" target="_blank">www.hallveiggkagustsdottir.com</a><br />
<strong>Wouter Huis:</strong><a href="http://www.wouterhuis.com/" target="_blank"> www.wouterhuis.com</a><br />
<strong>Joris Perdieus:</strong> <a href="http://www.jorisperdieus.be/" target="_blank">www.jorisperdieus.be</a><br />
<strong>Stéfan Piat: </strong><a href="http://www.imal.org/en/activity/stefan-piat-isola" target="_blank">www.imal.org/en/activity/stefan-piat-isola</a></p>
<p>curated by <strong>Christiane Wittig: </strong><a href="http://www.christiane-wittig.net/vita.php" target="_blank">www.christiane-wittig.net</a></p>
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		<title>Research Dossiers by Michel van Dartel</title>
		<link>http://transmedians.be/projects_new/blog/2012/research-dossiers-by-michel-van-dartel</link>
		<comments>http://transmedians.be/projects_new/blog/2012/research-dossiers-by-michel-van-dartel#comments</comments>
		<pubDate>Thu, 02 Feb 2012 13:28:47 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<category><![CDATA[seminars]]></category>

		<guid isPermaLink="false">http://transmedians.be/projects_new/?p=2311</guid>
		<description><![CDATA[About Research Dossiers When artists engage in research they often also need to share their research findings through journal publications. Getting one’s writing accepted in a journal, however, requires basic academic writing skills and the ability to set out clear [...]]]></description>
			<content:encoded><![CDATA[<p><strong>About Research Dossiers</strong></p>
<p>When artists engage in research they often also need to share their research findings through journal publications. Getting one’s writing accepted in a journal, however, requires basic academic writing skills and the ability to set out clear and concise arguments<br />
‘Research Dossiers’ provides Transmedia students with a crash course in academic writing and publishing. The course guides students in the practical exercise of writing a structured academic essay around an argument that can be supported by their own artistic research practice. In addition to writing a research proposal in the first year and a research dossier in the second year, the course includes plenary presentations, individual meetings and a peer-reviewing process.</p>
<p><strong>Michel van Dartel </strong>is curator at V2_, Institute for the Unstable Media in Rotterdam, the Netherlands. Besides his appointment at V2_, Michel is co-curator of the Dutch Electronic Art Festival and ARTICLE Biennial of Electronic Art, advisor at the Amsterdam Fund for the Arts, Willem de Kooning Academy, and Hanza Hogeschool, associate editor at the Journal for Artistic Research, and a member of music group The Rose Frustrates. Michel holds a PhD in Artificial Intelligence and an MSc in Cognitive Psychology.</p>
<p>&nbsp;</p>
<p>WHEN<br />
<strong>Tuesday &amp; Wednesday 15+16/11/2011</strong><strong> </strong> –10h00 till 17h00: 1st and 2nd year presentations<br />
<strong>Friday 19/12/2011</strong> – 10h00 till 17h00: 2nd year individual meetings<br />
<strong>Friday 17/02/2012</strong><strong> </strong> – 17h00: Deadline draft papers. (Send to Michel and to peers in peer-review group)<br />
<strong>Thursday &amp; Friday 01+02/03/2012</strong><strong> </strong> – 10h00 till 17h00: 1st year peer-review groups<br />
<strong>Monday 05/03/2012</strong><strong> </strong><strong></strong> – 10h00 till 13h00: 2st year peer-review group<br />
<strong>Friday 16/03/2012</strong> – 10h00 till 17h00: 1nd year individual meetings<br />
<strong>Friday 30/03/2012</strong> – 10h00 till 17h00: 1nd year individual meetings<br />
<strong>Wednesday 04/04/2012</strong> – 10h00 till 17h00: 2nd year individual meetings<br />
<strong>Friday 01/06/2012</strong> – 17h00: Deadline (Send to Michel)</p>
<p>WHERE<br />
<strong>Sint-Lukas Brussels University College of Art &amp; Design</strong><br />
<strong> Transmedia</strong> – Paleizenstraat 70 – 1030 Brussels – Belgium</p>
<p>MORE INFO<br />
<strong>Michel van Dartel: <a href="http://www.v2.nl/archive/people/michel-van-dartel" target="_blank">www.v2.nl/archive/people/michel-van-dartel</a></strong></p>
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		<title>mistake culture / Error &#8211; workshop by Christiane Wittig</title>
		<link>http://transmedians.be/projects_new/blog/2012/mistake-culture-error-workshop-by-christiane-wittig</link>
		<comments>http://transmedians.be/projects_new/blog/2012/mistake-culture-error-workshop-by-christiane-wittig#comments</comments>
		<pubDate>Thu, 02 Feb 2012 13:27:25 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[workshops]]></category>

		<guid isPermaLink="false">http://transmedians.be/projects_new/?p=2287</guid>
		<description><![CDATA[The workshop stands under the Topic “mistake culture / Error”. An error is an inevitable result of an experiment. The error points to the progress, he is the result and what are essentially the proof of evolution. The error is [...]]]></description>
			<content:encoded><![CDATA[<p>The workshop stands under the Topic <strong>“mistake culture / Error”</strong>. An error is an inevitable result of an experiment.</p>
<p>The error points to the progress, he is the result and what are essentially the proof of evolution.<br />
The error is the symptom of artistic idea.<br />
The deviation , the errors, the irregularity is an experiment to give the artwork a breath of live.</p>
<p>It is failure / errors that guides evolution; perfection offers no possibilities for improvement.</p>
<p>Art was seen as perfect and smooth. Spots and cracks and damage and broken were not discovered until it was to make works of living. Confusion and errors are made to question calculated things.</p>
<p>What is an error?<br />
Can you create and abstract the classification of an error?<br />
Why errors happen in a system and destroy systems?</p>
<p>The statistics says 78 Procent of errors are based on human errors.</p>
<p>Human error denotes the misconduct of people. An error comes not only alone, he comes in a “chains of errors” and often leads to collapse of entire systems an leading to a catastrophe such as long-range aircraft crash or power failure.</p>
<p>However, <strong>an error is not only negative</strong>.</p>
<p>Errors have its own systematic and system.<br />
An error was not created by chance and meaningless.<br />
He has a meaningful, comprehensive structure in him self.</p>
<p>In the art and the creative areas but also in innovative areas receive error a productive role.</p>
<p>&nbsp;</p>
<p>WHEN<br />
<strong>Tuesday 14/02/2012</strong> – 10h00 till 17h00<br />
<strong>Wednesday 15/</strong><strong>02</strong><strong>/</strong><strong>2012</strong> – 10h00 till 17h00<br />
<strong>Thursday 16/</strong><strong>02</strong><strong>/</strong><strong>2012</strong> – 10h00 till 17h00</p>
<p>WHERE<br />
<strong>Sint-Lukas Brussels University College of Art &amp; Design</strong><br />
<strong> Transmedia</strong> – Paleizenstraat 70 – 1030 Brussels – Belgium</p>
<p>MORE INFO<br />
<strong> Christiane Wittig: <a href="http://www.christiane-wittig.net/vita.php" target="_blank">www.christiane-wittig.net</a></strong></p>
]]></content:encoded>
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		<title>Q-O2 project by Julia Eckhardt</title>
		<link>http://transmedians.be/projects_new/blog/2012/q-o2-project-by-julia-eckhardt</link>
		<comments>http://transmedians.be/projects_new/blog/2012/q-o2-project-by-julia-eckhardt#comments</comments>
		<pubDate>Thu, 02 Feb 2012 13:24:56 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://transmedians.be/projects_new/?p=2340</guid>
		<description><![CDATA[Q-O2 is a structurally subsidized workspace for experimental contemporary music and sound art since 2006 and has its own space in the Brussels canal zone. The workspace developed out of the contemporary music ensemble Q-O2. In practice, Q-O2 operates at [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Q-O2</strong> is a structurally subsidized workspace for  experimental contemporary music and sound art since 2006 and has its own  space in the Brussels canal zone. The workspace developed out of the  contemporary music ensemble Q-O2.<br />
In practice, Q-O2 operates at three levels: it offers working  residencies to artists; carries out projects in collaboration with  national and international arts organizations; and holds performances  and concerts in its own space.<br />
In musical terms Q-O2 explores mainly three lines of approach: acoustic  and electronic improvisation and composed music as well as installations  and sound art. Through its conceptual preoccupations Q-O2 finds easily  points of access to other disciplines.</p>
<p><a title="Q-O2" href="http://www.q-o2.be" target="_blank">www.q-o2.be</a></p>
<p><strong>Julia Eckhardt</strong>, born in Berlin, is altviolinist in the field of composed  and improvised contemporary music. After her studies viola in Rotterdam  and Brussels, she worked with several chamber music ensembles and was a  member of the National Orchestra of Belgium. Since 1996 she is artistic  responsible for Q-O2, first ensemble for contemporary experimental and  improvised music and since 2006 workspace for music and soundart. Since  2001, Eckhardt is a member of Incidental Music (with Manfred Werder and  Normisa Pereiera da Silva), an international ensemble for conceptual  music. She lives and works in Brussels. <em><a href="http://www.q-o2.be/en/artist/julia-eckhardt/" target="_blank">www.q-o2.be</a></em></p>
<p><a href="http://www.marinarosenfeld.com" target="_blank"></a><a href="http://www.creativesourcesrec.com/artists/j_eckhardt.html" target="_blank">www.creativesourcesrec.com/artists/j_eckhardt.html</a></p>
<p>&nbsp;</p>
<p>WHEN<br />
<strong>Monday 13/02/2012</strong> — 14h00 till 17h00<strong><br />
</strong></p>
<p><strong> </strong></p>
<p>WHERE<br />
<strong>Sint-Lukas Brussels University College of Art &amp; Design</strong><br />
<strong>Transmedia</strong> – Paleizenstraat 70 – 1030 Brussels – Belgium</p>
<p><strong> </strong></p>
<p>INFO<br />
<strong>Q-O2: </strong><a title="Q-O2" href="http://www.q-o2.be/" target="_blank">www.q-o2.be</a><br />
<strong>Julia Eckhardt: </strong><a href="http://www.marinarosenfeld.com/" target="_blank"></a><a href="http://www.creativesourcesrec.com/artists/j_eckhardt.html" target="_blank">www.creativesourcesrec.com/artists/j_eckhardt.html</a></p>
]]></content:encoded>
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		<title>Disclaimer &amp; Performance #1 by Wouter Huis</title>
		<link>http://transmedians.be/projects_new/blog/2012/disclaimer-performance-1-by-wouter-huis</link>
		<comments>http://transmedians.be/projects_new/blog/2012/disclaimer-performance-1-by-wouter-huis#comments</comments>
		<pubDate>Wed, 25 Jan 2012 10:28:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Alumni]]></category>

		<guid isPermaLink="false">http://transmedians.be/projects_new/?p=2324</guid>
		<description><![CDATA[&#8220;Participate in a strange and quiet performance. For a short moment, an empty space will be turned into a theatre. Wouter Huis transforms every passerby into a fictive character with a simple intervention: by placing a confusing sign or using [...]]]></description>
			<content:encoded><![CDATA[<p>&#8220;Participate in a strange and quiet performance. For a short moment, an empty space will be turned into a theatre. Wouter Huis transforms every passerby into a fictive character with a simple intervention: by placing a confusing sign or using the magic gateway of a garage door.&#8221;</p>
<p>&nbsp;</p>
<p>WHEN<br />
<strong>Friday 27 January 2012</strong> — 16:00 and 20:00<br />
<strong>Monday 30 January 2012</strong> — 16:00 and 20:00<br />
<strong>Friday 3 February 2012</strong> — 16:00 and 20:00</p>
<p>WHERE<br />
<strong> <a title="Just in case" href="http://www.justincase.be" target="_blank"> </a>International Film Festival Rotterdam 2012</strong><br />
25/01/2012 -&gt; 5/02/2012<br />
Gouvernestraat 133<br />
Rotterdam</p>
<p>MORE INFO<br />
<strong>Wouter Huis:</strong> <a href="http://www.wouterhuis.com" target="_blank">www.wouterhuis.com</a><br />
<strong>International Film Festival Rotterdam 2012</strong>: <a href="http://www.filmfestivalrotterdam.com/nl/iffr-2012/programma-2012/signals/signals-for-real/wouter-huis-performance/" target="_blank">www.filmfestivalrotterdam.com/nl/iffr-2012/programma-2012</a></p>
<p>&nbsp;</p>
<p><a href="http://transmedians.be/projects_new/files/M2.jpg" rel="lightbox[2324]"><img class="alignnone size-medium wp-image-2334" title="Wouter Huis — Performance #1" src="http://transmedians.be/projects_new/files/M2-540x337.jpg" alt="" width="540" height="337" /></a></p>
<p><a href="http://transmedians.be/projects_new/files/M2-1.jpg" rel="lightbox[2324]"><img class="alignnone size-medium wp-image-2335" title="Wouter Huis — Disclaimer" src="http://transmedians.be/projects_new/files/M2-1-540x340.jpg" alt="" width="540" height="340" /></a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
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		<title>Seminar by Régine Debatty</title>
		<link>http://transmedians.be/projects_new/blog/2012/seminar-by-regine-debatty</link>
		<comments>http://transmedians.be/projects_new/blog/2012/seminar-by-regine-debatty#comments</comments>
		<pubDate>Thu, 12 Jan 2012 10:10:32 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://transmedians.be/projects_new/?p=2316</guid>
		<description><![CDATA[Régine Debatty is a blogger, curator and critic based in London and Turin. She writes about the intersection between art, science and social issues on her blog we-make-money-not-art. She also contributes to several European design and art magazines and lectures [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Régine Debatty</strong> is a blogger, curator and critic based in London and Turin.<br />
She writes about the intersection between art, science and social issues on her blog <a href="http://we-make-money-not-art.com" target="_blank">we-make-money-not-art</a>.<br />
She also contributes to several European design and art magazines and lectures internationally about the way artists, hackers and designers use science as a  critical medium for discussion.</p>
<p>Co-author of the &#8216;sprint book&#8217; New Art/Science Affinities, published by:<br />
Miller Gallery at Carnegie Mellon University + CMU STUDIO for Creative Inquiry</p>
<p>&nbsp;</p>
<p>WHERE<br />
<strong>Sint-Lukas Brussels University College of Art &amp; Design</strong><br />
<strong> Transmedia</strong> – Paleizenstraat 70 – 1030 Brussels – Belgium</p>
<p>INFO<br />
we-make-money-not-art: <a href="http://we-make-money-not-art.com/" target="_blank">we-make-money-not-art.com</a></p>
]]></content:encoded>
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		<title>Rodney Place – workshop/seminar</title>
		<link>http://transmedians.be/projects_new/blog/2011/rodney-place-%e2%80%93-workshopseminar</link>
		<comments>http://transmedians.be/projects_new/blog/2011/rodney-place-%e2%80%93-workshopseminar#comments</comments>
		<pubDate>Wed, 21 Dec 2011 10:11:42 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://transmedians.be/projects_new/?p=2284</guid>
		<description><![CDATA[Rodney Place&#8217;s multi-disciplinary and multi-media work focuses largely on art and urbanism, whether as satirical commentary, activism, or permanent installation. He works thematically with different elements making up a project, fashion, photography, drawing, painting and sculpture, video and performance works. [...]]]></description>
			<content:encoded><![CDATA[<p>Rodney Place&#8217;s multi-disciplinary and multi-media work focuses    largely on art and urbanism, whether as satirical commentary, activism,    or permanent installation. He works thematically with different   elements  making up a project, fashion, photography, drawing, painting   and  sculpture, video and performance works.</p>
<p>Rodney Place makes large-scale sculpture/land-art/urban installations, such as <em>The Lost World of the Pacific &#8211; Nowhere&#8217;s Arc</em> (1996); <em>Flight from Egypt</em> (1997); <em>City Bowl</em> (1997); <em>African Bowl</em> (2001); <em>New Skins-New Skeletons </em>(2003), &#8211; as well as performance and video works &#8211; <em>Couch Dancing</em> (1996); <em>The Washing of the Soaps</em> (2000); <em>RETREKS unSUNg CITY</em> (2000); <em>City without Walls</em> (2004); <em>Pole-Land</em> (1st version 2005); <em>F..klore</em> (2006-). <em>Retreks</em> (1999-2002) explored emerging Johannesburg through four social viewpoints and <em>Infections of the Void</em> (2002-) bridges between the post-territories of South Africa and Central Europe.</p>
<p>Rodney studied at the Architectural Association in London, and has    lived and worked in over 20 countries, presenting his work to a variety    of audiences and at festivals worldwide. In 1982, he founded <em>The Laboratory of Uncertainty</em>,    a ten-year collaborative project involving installation and fiction    writing, offering studios as a visiting artist/architect throughout the    USA and Canada. In 1996, he founded in Johannesburg, <em>ZAR Works</em>, an art, architecture and production company.</p>
<p>WHEN<strong><br />
Tuesday 10/01/2012 </strong>– 10h00 till 17h00<strong> </strong></p>
<p><strong>&amp;<br />
</strong></p>
<p><strong>Tuesday</strong><strong> 31/01/2012</strong> – 10h00 till 17h00<strong><br />
</strong><strong>Wednesday </strong><strong> </strong><strong>01/02/</strong><strong>2012</strong> – 10h00 till 17h00<strong><br />
Thursday</strong><strong> 02/02/</strong><strong></strong><strong>2012</strong> – 10h00 till 17h00<br />
<strong></strong></p>
<p><strong> </strong></p>
<p>WHERE<strong><br />
Sint-Lukas Brussels University College of Art &amp; Design</strong><br />
<strong>Transmedia</strong> &#8211; Paleizenstraat 70 &#8211; 1030 Brussels &#8211; Belgium</p>
<p><strong> </strong></p>
<p>INFO<br />
gallery MOMO: <a href="http://www.gallerymomo.com/" target="_blank">www.gallerymomo.com</a><br />
Chelsea Hotel Eastside: <a href="http://www.chelsea-hotel-eastside.com/" target="_blank">www.chelsea-hotel-eastside.com</a><br />
Urban Scenographies: <a href="http://urbanscenographies.wordpress.com/thoughts/rodney-place/" target="_blank">urbanscenographies.wordpress.com/</a></p>
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		<title>Seminar by Joost Fonteyne</title>
		<link>http://transmedians.be/projects_new/blog/2011/seminar-by-joost-fonteyne-2</link>
		<comments>http://transmedians.be/projects_new/blog/2011/seminar-by-joost-fonteyne-2#comments</comments>
		<pubDate>Fri, 09 Dec 2011 15:37:03 +0000</pubDate>
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		<guid isPermaLink="false">http://transmedians.be/projects_new/?p=2217</guid>
		<description><![CDATA[Joost Fonteyne (Kortrijk) has been working as a theatre and music programmer for the Limelight Arts Centre since 1988 and became director of this centre in 1999. In 1996 he founded ‘Happy New Ears’ a festival for new music and [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Joost Fonteyne</strong> (Kortrijk) has been working as a theatre and music  programmer for the Limelight Arts Centre since 1988 and became director  of this centre in 1999. In 1996 he founded ‘Happy New Ears’ a festival  for new music and sound art. He is also the director of this festival.</p>
<p>Since 2004 he co-designed the merge between Beeldenstorm vzw, Dans in  Kortrijk vzw and Limelight vzw which eventually led to the birth of the  Buda Arts Centre. Since 2006 he was the head of the financial dept. and  the media programme. Left Buda February 2008 to pursue other interests.</p>
<p>&nbsp;</p>
<p>WHEN<br />
<strong>Tuesday 24/01/2012</strong> – 10h00 till 17h00<br />
<strong>Wednesday 25</strong><strong>/01/2012</strong> – 10h00 till 17h00<br />
<strong>Thursday 26</strong><strong>/01/2012</strong> – 10h00 till 17h00</p>
<p>WHERE<br />
<strong>Sint-Lukas Brussels University College of Art &amp; Design</strong><br />
<strong> Transmedia</strong> – Paleizenstraat 70 – 1030 Brussels – Belgium</p>
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		<title>Touch seminar/workshop by Mike Harding &amp; Benny Nilsen</title>
		<link>http://transmedians.be/projects_new/blog/2011/touch-seminarworkshop-by-mike-harding-benny-nilsen</link>
		<comments>http://transmedians.be/projects_new/blog/2011/touch-seminarworkshop-by-mike-harding-benny-nilsen#comments</comments>
		<pubDate>Thu, 08 Dec 2011 15:08:14 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://transmedians.be/projects_new/?p=2213</guid>
		<description><![CDATA[About Touch Since its first release in 1982, Touch has created sonic and visual productions that combine innovation with a level of care and attention that has made it the most enduring of any independent music company of its time. [...]]]></description>
			<content:encoded><![CDATA[<p><strong>About Touch</strong><br />
Since its first release in 1982, Touch has created sonic and visual  productions that combine innovation with a level of care and attention  that has made it the most enduring of any independent music company of  its time.<br />
<a href="http://www.touchmusic.org.uk/">touchmusic.org.uk</a></p>
<p><strong><a href="http://transmedians.be/projects_new/files/touchlogo081.gif" rel="lightbox[2213]"><img class="alignnone size-full wp-image-2290" title="Touch - logo" src="http://transmedians.be/projects_new/files/touchlogo081.gif" alt="" width="150" height="50" /></a></strong></p>
<p><strong> </strong></p>
<p><strong>Mike Harding</strong><br />
Mike Harding oversees Touch Music, the publishing part of Touch which  deals with the marketing and exploitation of the Touch Music catalogue,  which includes works by Christian Fennesz, Chris Watson, Philip Jeck,  BJNilsen, Oren Ambarchi and many others. He has been running Touch with  Jon Wozencroft since 1982.<br />
<a href="http://www.discogs.com/artist/Mike+Harding">Mike Harding on Discogs</a><strong> </strong></p>
<p><strong>BJNilsen</strong><br />
Sound and Recording artist. BJNilsen lives and works in Stockholm,  Sweden, Born in 1975. He has been active with experimental music since  the early 90´s with various constellations. For the past 5 years he has  been releasing records as Hazard on the UK labels Ash International and  Touch, making music and sound for documentary film, television and  commercials. He is focused on the sound of nature and its effect on  humans, field recordings and the perception of time and space as  experienced through sound, often electronically treated.<br />
<a href="http://www.bjnilsen.com/" target="_blank">www.bjnilsen.com</a><br />
<a href="http://www.touchmusic.org.uk/Biographies/bjnilsen.html" target="_blank">BJNilsen on touchmusic.co.uk</a></p>
<p><strong> </strong></p>
<p>WHEN<br />
<strong>Monday </strong><strong>16/01/2012</strong> – 10h00 till 17h00<br />
<strong>Tuesday 17/01/2012</strong> – 10h00 till 17h00<br />
<strong>Wednesday </strong><strong>18/01/2012</strong> – 10h00 till 17h00<br />
<strong>Thursday </strong><strong>19/01/2012</strong> – 10h00 till 17h00<br />
<strong>Friday </strong><strong>20/01/2012</strong> – 10h00 till 17h00</p>
<p>WHERE<br />
<strong>Sint-Lukas Brussels University College of Art &amp; Design</strong><br />
<strong> Transmedia</strong> – Paleizenstraat 70 – 1030 Brussels – Belgium</p>
<p>&nbsp;</p>
<p><a href="http://transmedians.be/projects_new/files/IMG_2473.jpg" rel="lightbox[2213]"><img class="alignnone size-medium wp-image-2338" title="Touch seminar/workshop 2012" src="http://transmedians.be/projects_new/files/IMG_2473-540x303.jpg" alt="" width="540" height="303" /></a></p>
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		<title>Murphy&#8217;s miserable space adventures</title>
		<link>http://transmedians.be/projects_new/blog/2011/murphys-miserable-space-adventures</link>
		<comments>http://transmedians.be/projects_new/blog/2011/murphys-miserable-space-adventures#comments</comments>
		<pubDate>Wed, 07 Dec 2011 10:27:29 +0000</pubDate>
		<dc:creator>Stephan Bourdon</dc:creator>
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		<guid isPermaLink="false">http://transmedians.be/projects_new/?p=2245</guid>
		<description><![CDATA[Murphy&#8217;s miserable space adventures THE BOOK Charlotte Dumortier graduated recently at the Sint Lukas Hogeschool in Brussels. Her master thesis was &#8220;Murphy&#8217;s miserable space adventures&#8221;, a cartoon that takes place in infinite space, and stars the non-hero Murphy, who has [...]]]></description>
			<content:encoded><![CDATA[<p>Murphy&#8217;s miserable space adventures</p>
<p>THE BOOK</p>
<p>Charlotte Dumortier graduated recently at the Sint Lukas Hogeschool in Brussels. Her master thesis was &#8220;Murphy&#8217;s miserable space adventures&#8221;, a cartoon that takes place in infinite space, and stars the non-hero Murphy, who has to submit to the laws of the cosmos. The cartoon is without text because more often than not, Murphy is on a solitary mission and space, being devoid of air, is completely soundless. The repetitive and simple story line allows Charlotte to experiment at will with color, framing and page layout.</p>
<p>Charlotte Dumortier, Murphy&#8217;s miserable space adventures, published by <a href="http://www.oogachtend.be/" target="_blank">Oogachtend</a>.</p>
<p>THE EXPOSITION</p>
<p>At the exposition of the cultural center De Warande, Murphy&#8217;s two-dimensional paper universe is implemented spatially. Not through predictable interactive gimmicks, but in a visually surprising way that puts the existing dimensions of space and time in perspective.</p>
<p><a href="http://transmedians.be/projects_new/files/MMSA.png" rel="lightbox[2245]"><img class="alignnone size-medium wp-image-2298" title="Murphy's miserable space adventures" src="http://transmedians.be/projects_new/files/MMSA-540x405.png" alt="" width="540" height="405" /></a></p>
<p>WHEN<br />
<strong>10 and 11 december, open from 10:00 until 18:00</strong></p>
<p>A project by Johan Stuyck, coordinator of the Cartoon department of Sint Lukas Brussels, and Steven Devleminck, head of  Transmedia Sint Lukas Brussels.</p>
<p>MORE INFO<br />
<strong>Strip Turnhout: <a href="http://www.stripturnhout.be/english/" target="_blank">www.stripturnhout.be/english</a></strong><br />
<strong> Cultural center De Warande: <a href="http://www.warande.be" target="_blank">www.warande.be</a></strong><br />
<strong> Google Maps: <a href="http://g.co/maps/fz2b6" target="_blank">g.co/maps/fz2b6</a></strong></p>
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